He was an amazing guitar player — he was funny, sweet — and he was smart

Updated 9:25 PM ET

(AP) Bob Welch, a former member of Fleetwood Mac who also had a solo career, has died of a self-inflicted gunshot wound, Nashville police say. He was 65.

Police spokesman Don Aaron said Welch was found dead with a chest wound by his wife at their Nashville home around 12:15 p.m. Thursday.

Welch was a guitarist and vocalist for Fleetwood Mac from 1971 to 1974. He formed the British rock group Paris in 1976, and had hits including “Sentimental Lady” in 1977 and “Ebony Eyes” in 1978.

Fleetwood Mac’s Christine McVie and Lindsey Buckingham did backing vocals on “Sentimental Lady.”

Aaron said Welch apparently had had health issues recently. He said a suicide note was left.

Fleetwood Mac’s career took off in the mid-1970s after Welch left the band. “Dreams” was a No. 1 hit in 1977 and “Don’t Stop” the same year. It later became the anthem for Bill Clinton’s 2002 presidential campaign. “Hold Me” was a hit in 1982 and “Little Lies” in 1987.

Welch, a native of Los Angeles, scored his biggest hit with “Sentimental Lady,” which reached No. 8 on the Billboard chart. His other singles included “Precious Love” in 1979 and “Hot Love, Cold World” in 1978.

When Fleetwood Mac was inducted into the Rock and Roll Hall of Fame in 1998, Welch was not included in the group.

“It basically comes down to the fact that they don’t like me anymore,” he told The Plain Dealer of Cleveland at the time. “I guess they can do what they want. I could understand it if I had been a sideman for a year. But I was an integral part of that band … I put more of myself into that band than anything else I’ve ever done.”

Longtime Fleetwood Mac singer Stevie Nicks told The Associated Press that Welch’s death hit her hard.

“The death of Bob Welch is devastating … I had many great times with him after Lindsey and I joined Fleetwood Mac. He was an amazing guitar player — he was funny, sweet — and he was smart. I am so very sorry for his family and for the family of Fleetwood Mac — so, so sad …”

Founding member Mick Fleetwood did not immediately respond to e-mails for comment Thursday.

Fleetwood Mac, started in 1967 by two former members of John Mayall’s Bluesbreakers, became an enormously popular pop-oriented group in the late 1970s. Nicks’ haunting vocals and Buckingham’s distinctive guitar work helped propel the band’s 1976 album “Rumours” to multiplatinum status.

Problems with alcohol and 토토사이트 drugs, as well as well-publicized fights between band members, led to their breakup. Money and nostalgia helped bring the band back together, leading to successful reunion tours.

As a songwriter, Welch had his songs recorded by Kenny Rogers, Sammy Hagar, the Pointer Sisters and others.

In 1999 he released a CD, “Bob Welch Looks at Bop,” a salute to bebop music in the 1940s.

In an interview with The Tennessean in 2003, Welch said he never dreamed he’d be remembered for much.

“I just wanted to play guitar in a good band,” he said. “I wanted to make the music I love. I wanted to travel the world and have adventures.”

Welch also said “music is disposable now. It doesn’t have the emotional impact anymore. That’s sad.”

He had lived in Nashville since the 1990s.

Bart Herbison, executive director of the Nashville Songwriters Association, quoted his wife Wendy as saying Welch had spinal surgery three months ago and doctors told him he would not get better, and he did not want her to have to care for an invalid.

The couple had no children. Funeral arrangements were incomplete.

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Whether it was a world-renowned beauty like Cindy Crawford . . . “What I always say is the way Herb photographed you is the way that you wished you looked when you got up in the morning,” Crawford said . . . . . . or singer-songwriter k.d. lang . . . “I think Herb had a way of understanding how to exude the beauty within,” lang said. “I really do. He knew the balance of the soul and the body, and where the beauty was.” “I presume there got to be a point where people really wanted him to take their picture?” asked Braver. “Oh, absolutely,” said Charles Churchward, a former design director at Conde Nast. “You know, everybody wanted him to take their picture!” Ritts’ friend Churchward thought it was time for a book that celebrated the man as well as the work. “I think people want to know more about who’s behind the camera and something about them,” Churchward said. “And I think that’s what makes them last. And that’s why I wrote the book.” Churchward said that Ritts, who grew up in L.A., introduced a new kind of glamour photography. “Herb had been raised with light, with the beaches, with the sun,” he said. “Everybody before that was in the studio shooting and controlling everything. Suddenly he was able to take the same things outside and make people more natural and yet still have that glamour.” Ritts’ photo of his pal Richard Gere – snapped while the two of them were waiting for a tire to be changed – helped launch both their careers in 1978. Ritts once told CBS News, “Three months later, Vogue, Esquire, Mademoiselle had run all the images from the gas station that I’d taken, which was kind of interesting. And I got paid for it.” Soon, he was getting photographing everyone, from Tom Cruise to Julia Roberts . . . hanging out at Vanity Fair’s Oscar party . . . and hosting his own celebrity-studded birthday bashes. In fact Cindy Crawford and Richard Gere (who were married for 4 years) met at one of Herb’s parties. She said Ritts was just fun to be around: “I mean, he was a mensch,” Crawford said. “I don’t know if you know that word. But he’s just a good guy. He was a total sweetheart. He loved people.” She still remembers the shoot for one of his most famous pictures . . . a bevy of supermodels. “The girls, we were jokingly [calling] it ‘Naked Twister,'” Crawford said. “And I think Herb knew all of us individually, and was friendly with all of us, and that there was a comraderie.” Another Ritts pal talked him into branching out. “Madonna suggested to Herb that he photograph one of her videos,” said Churchward, “and he never did anything like that. But he was game to try anything.” They made her “Cherish” video, and he shot “In the Closet” for Michael Jackson. But it’s his photographs that will be remembered most . . . on display recently at L.A.’s Fahey/Klein Gallery, where an overflow crowd gathered to remember their old friend, and his world.

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